Opinions are like assholes.christopher_wolf wrote:Also, in the USA, we have the right to inform another person that their opinion is wrong
Everyone's got one and everyone is positive that the other guy's stinks!
James
Opinions are like assholes.christopher_wolf wrote:Also, in the USA, we have the right to inform another person that their opinion is wrong
Once again, somewhat poorly phrased. I'm not a fan of performances of operas or musicals. Listening to a recording of an opera or musical is a different question. Music videos pose a similar problem. I just don't think music is a visual experience. Visualizing Rod Steiger and Gordon McRae when I hear "Pore Jud Is Daid" limits the possibilities.What is it with you guys and Opera?
Hence my love of Sirius Radio!dsvochak wrote:I'm not a fan of performances of operas or musicals. Listening to a recording of an opera or musical is a different question.
http://www.nytimes.com/learning/general ... /0905.htmlNot surprisingly, Mr. Cage, his music and his theories of composition have always inspired debate. Traditionalists have dismissed him as a prankster, a charlatan or an anarchist, and although performances of his music take place uneventfully today, there were times in the 1960's when his works evoked angry responses. At a New York Philharmonic performance of "Eclipticalis With Winter Music," in 1964, for example, a third of the audience walked out and members of the orchestra hissed the composer.
http://www.jazzitude.com/milesbio.htmIn the 1960s Davis put together a second quintet, this time utilizing Wayne Shorter, Herbie Hancock, Tony Williams, and Ron Carter. The music of this group was more complex, moving through post-bop modal experimentation and eventually into some of the group improvisation and open forms of free jazz. Some of Davis' fans were mystified by the group's music, but it was uniformly applauded by critics, other musicians, and avid music fans eager for new sounds. The group's output has recently been collected in the 6-disc set The Complete Columbia Studio Recordings, 1965-'68.
As the 1970s beckoned, Miles realized that rock had replaced jazz as the music of choice for the younger generation. In order not to get left behind, he began to perform with an electronic band: electric guitar, electric bass, banks of electronic keyboards, and even an amplified trumpet. The sound was bubbling, dark, and dense, and it further alienated some jazz fans and many critics as well. There was no denying the power of the music Davis was producing, however: upon its release in 1970, [censored] Brew sold 400,000 copies, making it the best-selling jazz album of all time. The group included Chick Corea, Hancock, John McLaughlin, and others who went on to become mainstays of the jazz fusion movement.
http://www.vervemusicgroup.com/history.aspx?hid=20Developed between the early and mid-1940s, "bebop" expanded upon many of the improvisational elements of the swing era. Young musicians including Dizzy Gillespie, Charlie Parker, Bud Powell, and Thelonious Monk, influenced by the innovative soloists of the swing era (e.g., Art Tatum, Coleman Hawkins and Lester Young) began exploring more advanced harmonies, altered chords, and chord substitutions.
-----------------------------
Initially, bebop received much criticism for its "break-neck" tempos that were too fast for dancers, and its melodies that lacked the simplicity of earlier styles. Complex harmonic sense was required to perform the music, leaving many swing musicians behind, who simply relied on their ears to guide them through the chord changes. As the popularity of bebop grew, critics and jazz fans came to view it as a challenging new art form
Without a doubt.At least we can agree that the ability to choose the music we want to hear is the most important part of the diversity available to us.
Oh yes! Famously so.dsvochak wrote:(Was Pete Seeger really that upset?)
But as someone from MI I needn't remind you that the sun doesn't always shine!dsvochak wrote:Pay radio is a whole other topic. In my estimation, it's like paying for a Tan when the sun is free.
I must be among the few who were there who thought it was the most incredible thing I ever heard, distortion and unintelligible lyrics and all.I was in the audience and wasn't aware of any of the histrionics going on backstage, but the mood in the field was such that had we the ammo Dylan would have wound up literally stoned!
Well, you have to put it in perspective.dsvochak wrote:I must be among the few who were there who thought it was the most incredible thing I ever heard, distortion and unintelligible lyrics and all.
christopher_wolf wrote:But, James, you should have gone to the protests and the co-ops if you wanted the liberal chyks. Far better chances anyway.
Yep, I was the guy who brought them!christopher_wolf wrote:Besides, why go for the music? There are far better things to be had there.
That's a [censored]!dsvochak wrote:On a somewhat related topic, I just read a news report that Arthur Lee is suffering from acute lymphoblastic leukemia and will likely need a bone transplant. We should probably think good thoughts.
Users browsing this forum: No registered users and 5 guests